Abstract

Gender is a social construct that finds expression in cultural and ideological communicative practices. This research focuses on gendered voices and ideological communications, drawing insights from the film industry in Nigeria. The study adopts the triangulation of critical discourse analysis, polyphony, and construction grammar to appraise the instances of gendered voices in Tunde Kelani’s Narrow Path, in order to tease out the underlying ideologies in the emotioncy-driven communicative contexts. Two opposing ideologies, namely, the patriarchalist and womanist dominate the interactions of the characters. While the former was characterized by the macho, parental, institutional, and communal voices, the latter was orchestrated by the solidaristic and institutional voices. The patriachalist ideals were both concretized through the same-gender and other-gender personae, the womanist ideology was basically enacted through same-gender persona. These were established through gendered constructions propelled by: presupposition, assertion, topic, and focus. High context society like the Yoruba should provide equal space for both genders to express their thoughts and partake in building a gender-unbiased society.

Keywords

Publication details

DOI
10.56632/bct.2022.1207
Journal
Journal of Business, Communication and Technology, 1(2), 67-81
Publisher
Gulf College
Open access
Gold open access

Cite this article

APA 7

Oladoja, F., & Tomere, D. (2022). Gendered Voices and Ideological Communications: A Case from the Film Industry. Journal of Business, Communication and Technology, 1(2), 67-81. https://doi.org/10.56632/bct.2022.1207

MLA 9

Oladoja, Folakemi, and Dubamo Tomere. "Gendered Voices and Ideological Communications: A Case from the Film Industry." Journal of Business, Communication and Technology, vol. 1, no. 2, 2022, pp. 67-81. https://doi.org/10.56632/bct.2022.1207.

Chicago (author–date)

Oladoja, Folakemi, and Dubamo Tomere. 2022. "Gendered Voices and Ideological Communications: A Case from the Film Industry." Journal of Business, Communication and Technology 1 (2): 67-81. https://doi.org/10.56632/bct.2022.1207.

Harvard

Oladoja, F. and Tomere, D. (2022) 'Gendered Voices and Ideological Communications: A Case from the Film Industry', Journal of Business, Communication and Technology, 1(2), pp. 67-81. doi:10.56632/bct.2022.1207.

Vancouver

Oladoja F, Tomere D. Gendered Voices and Ideological Communications: A Case from the Film Industry. Journal of Business, Communication and Technology. 2022;1(2):67-81. doi:10.56632/bct.2022.1207

IEEE

F. Oladoja, and D. Tomere, "Gendered Voices and Ideological Communications: A Case from the Film Industry," Journal of Business, Communication and Technology, vol. 1, no. 2, pp. 67-81, 2022, doi: 10.56632/bct.2022.1207.